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“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to...。在这一系列真人喜剧短片中，一名硬汉以缜密细致的方式巧妙处理家务活。。一位北韓女子因病尋醫，在非自願的情況下，輾轉來到了南韓。她朝思暮想著在平壤的家人，但返回家鄉的期盼，卻在一次次的抗爭、訴訟與向使館求助中落空。日子一年年過去，她甚至見證了南北韓領袖握手破冰的歷史一刻。她不是所謂的「脫北者」，但南北韓間的政治情勢卻讓她回不了家。。