视频简介
因父亲昏迷从首尔来到哥伦布的金，巧遇当地少女凯西，两人展开城市建筑巡礼，互相倾吐焦虑与憧憬，渐渐渗透冰冷的建筑体，敞开情感的裂缝。面对居民与游客身份的易位，生死的来去，他们也如空间中的物件般，学会在新的关系中，再次挪动与重新安置自己。影像散文作者（video essayist）Kogonada的首部剧情长片，淋漓展现其镜头语言的敏锐度，如现代主义建筑般对称恒定的画面结构，窜流着低限却潜在的剧情，暗指建筑空间的本质，实为人生活与情感萌发的场域。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。故事的开始，苏橙因艺人方潇潇惨遭剧组弃用，痛失艺人助理工作。一边是不能再拖欠的房租，一边是一心向往的演艺圈。苏橙从小深受舞台影响，玩耍最多的地方就是剧场后台。“再来一遍”是她一直践行的匠人精神。本科毕业后，苏橙就开始辗转奔波在剧组之间，好不容易得到的艺人助理工作，还有一次次的替身戏机会，苏橙高兴万分，却被段承轩的作弄而打消。一切从头开始。还好得来了选秀机遇，不至于凄惨至极。然而，又和霸道总裁段承轩相遇，好感系数一路降到最低，天生冤家说的就是这俩，可也欢喜着。当时两人都不自知，只觉对方可恶。从苏橙做艺人助理起步，到参加选秀并最终成功出道，进入五光十色的娱乐圈，从无人所知的新人，到凭借自身的天赋和努力逐步累积人气，成为新秀小花旦。过程中苏橙也遇到过许多擦肩而过的机遇，无论是冤家星娱传媒CEO段承轩，还是冷言少语的国际知名造型师叶琛，亦或者超级偶像人气男明星言楚非，苏橙与他们或相遇或携手共事，或成为对手，或成为朋友，她经历着这个镁光灯下闪耀亮眼的娱乐圈的一切。最终，苏橙靠着一步步的努力，实现从助理到最佳女主角的璀璨之路。。
