视频简介
春树的家在农村，刚上四年级，去年母亲因病去世花费了一大笔钱。为解决家里的开销和欠款，父亲离家去城市打工，留下了春树和妹妹，还有年迈的奶奶。两个孩子都想爸爸。借着乡邻催还借款的压力，春树只身来到爸爸打工的城市，他想让爸爸回去。在他的心目中，爸爸是一个可以解决一切的人，更不想爸爸长期在外，使自己和妹妹感到孤寂，家里需要爸爸。 春树刚到城市，就被给他买车票的北书诱骗到了一个团伙。在团伙里，北叔收罗了一些离家出走的打工者子弟，逼迫他们偷窃行骗；春树不从，却难逃魔窟。一次机会，春树偶遇警察才被解救。春树酷爱‘奥特曼’，在他心目中，警察就是专打‘怪兽’的‘奥特曼’。春树找到爸爸，爸爸却因拿不到工钱，不愿空手回家。春树才知父亲的艰难……。心理医生周文（张国立 饰）有一个和谐的三口之家，不料看似平静的生活随着葛云峰（吕凉 饰）的出现发生了惊天逆转。原来，多年前葛妻不堪家暴虐待，曾找周文做过心理咨询，但最终无法解开心结，带着儿子离家出走，途中遭遇车祸，儿子当场死亡，葛妻也变成了半个植物人。葛云峰把这一切都归罪于周文这个所谓的狗屁心理医生，他偷走了周文的儿子，把他当成故去的儿子养着，待妻子病故后，他开始实施报复周文。他先是唆使患者家属将周文告上法庭，又蛊惑他人挑拨周文夫妻关系，均以失败告终，恼羞成怒的葛云峰使出了最下三烂的手段，他迷奸了周妻余可非（吴越 饰），致使二人夫妻关系彻底破裂。葛云峰接着变本加厉，又策划出更毒辣的阴谋......。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
